Monday, July 28, 2008

MODE for iPhone Video and Hamilton Sundstrand Touch-Screen Kiosk

SpeakerCraft iPhone Interface

While millions were standing in line waiting for their new iPhone 3Gs, Del Padre Digital was capitalizing on the craze.

Del Padre recently completed a new, HD video that will serve as a marketing vehicle for SpeakerCraft of Riverside Calif., promoting the company’s new product, MODE for iPhone®. The piece is now being used by SpeakerCraft in viral marketing campaigns, direct mailings, and as handouts at several national trade shows.

The completed production coupled HD video footage – filmed using the Redrock Micro 35 mm lens kit and Nikon prime lenses mounted on a Panasonic HVX200 – with a number of 3D renders created by the Del Padre team. New York-based voiceover artist Brian Kelsey provided audio production and narration, and various graphics and video effects were generated using Adobe After Effects CS and digital video platform Adobe Premiere.

Nino Del Padre, president of Del Padre Digital, spearheaded the project, and noted that a tight deadline and the inherent difficulty of shooting video of electronics such as the iPhone made the use of 3D renders doubly important.

“Shooting the shiny surface of the iPhone created some challenges for us in capturing video, and also created even more need for the photorealistic 3D renders,” Del Padre said, adding that the award-winning Autodesk® Maya® software was used to create the renders. “We had a very tight deadline on this one due to the recent fervor over the 3G, but we are really happy with the results, and that we could complete this project concurrently with sales of millions of Apple’s newest product.”

MODE for iPhone by SpeakerCraft essentially transforms the iPhone into a remote control that can be used with home theater and multi-room audio systems, as well as every iPod within a household. The interface operates much like other iPhone applications, and displays song information, artist names, genres, and playlists on the interactive touch screen, making accessing music simple and intuitive.

MODE is the latest product introduced by SpeakerCraft, a company with a three-decade history of innovation. After inventing the in-wall speaker and manufacturing them for the most prominent companies in the business, SpeakerCraft developed its own brand, based on the ever-expanding need for quality sound in the home. Today, the company is the largest supplier of custom installed audio/video products in the world.

Del Padre Digital was founded in 1991, and specializes in video production, interactive CD-ROM design, and high-end Web design. Its clients include NASA, the Space Science Institute, LEGO Systems, and Barnes Aerospace. Del Padre has worked with SpeakerCraft and its daughter companies, Proficient Audio and Emphasys, since 2005. Through this relationship, Del Padre has created everything from full Flash Web sites to E-marketing campaigns, and provides sophisticated 3D product renders and product photography for both packaging and marketing purposes.

view video


Hamilton Sundstrand

As the planes roared overhead, Del Padre Digital placed key information regarding new, exciting developments in aerospace at people’s fingertips recently, at the famed Farnborough International Airshow in Farnborough, England.

Del Padre created an interactive, touch-screen kiosk for Hartford, Connecticut based aerospace manufacturer Hamilton Sundstrand, which was incorporated into a trade booth at the biennial Airshow, and operated by the user operating a 21-inch touch screen. Farnborough International Airshow is the largest, most internationally attended aerospace event in the world.

Del Padre Digital’s president, Nino Del Padre, said the project was completed in just less than four weeks, in order to be ready in time for use at the airshow in July.

“We have worked with Hamilton Sundstrand in the past, creating trade show videos to illustrate the different product groups that comprise the $5.6 billon dollar company” said Del Padre. “The project was particularly complex and detailed, but we completed it in a record time, start-to-finish.”

Most of the application was created using Flash 9, along with Photoshop to prepare complex component shots. The application was loaded onto a dedicated PC for smooth playback, and each component was accessed either by a list within an on-screen side bar, or by touching the corresponding part of the aircraft shown on the screen.

The Farnborough Airshow is not only a draw for the public due to its spectacular air demonstrations. It’s also a key business event for the aerospace industry, resulting in more than $40 billion orders for components from participating vendors every other year.

Hamilton Sundstrand, the result of the 1999 merger of Hamilton Standard and the Sundstrand Corp., employs approximately 19,000 people at more than 50 major facilities worldwide, and is among the world's largest suppliers of technologically advanced aerospace and industrial products.

Del Padre Digital was founded in 1991, and specializes in video production, interactive CD-ROM design, and high-end Web design. In addition to Hamilton Sundstrand, its clients include NASA, the Space Science Institute, LEGO Systems, and Barnes Aerospace.

Wednesday, June 11, 2008

New website and new name

We are pleased to announce a new website and a new name. Del Padre Visual Productions is now Del Padre Digital. The name change reflects the constantly evolving technology we harness in our business. Established in 1991 as Del Padre Video Productions, the name was changed in 1995 to Del Padre Visual Productions to better describe our services when we embarked in the new world of multimedia and internet development.

Today all of our services from web design to high definition video production is digital hence the new name.

The new delpadre.com is the sixth incarnation of the Del Padre web presence. This site was intended to fulfill several key roles. First and foremost this site was intended to be an easily scalable, dynamic, and easily managed web presence for our company.

Beyond this however the site was developed with many other end goals in mind. Our company wanted to highlight the fact that Flash is a viable platform for an entire website. We wanted a flash site that could emulate an HTML one in basic functions such that have long been unsupported in Flash. Features such deep linking and browser back button support , fast loading dynamic content, coherent loading sequences so users can get to the most important information fastest, and the ability to optimize our site for search engines. We also wanted to capitalize on the raw power of the Flash platform with animation, integrated full screen video, fully dynamic and easily updatable content, with transitions and other subtleties to increase the flow of the site and enrich the user experience.

Technical Challenge

  • Back button support/deep linking

    • By taking advantage of the open source SWFAddress project we were able to create a flash website that could interface with the browsers history allowing the user to use the browsers back button as well as bookmark and link to specific sections of the flash movie.
  • Dynamic content

    • To avoid needing to edit the flash project to add updates to our site virtually all the content was made dynamic, pulling from external files that can be edited via our in browser Content Management System

      • All news and gallery information is pulled from external files when the respective page is accessed. Once it loads the contents of these files, any borders or styles are generated by ActionScript on the fly.

  • Speed

    • This site was built to run on any connection above 756Kbps. We didn’t want our visitors to have to wait for 30 seconds at a loading page, or bring their system to a crawl downloading numerous large assets at once. There were many different ways we came at this problem to solve it;

      • The site is almost completely generated by action script; the initial timeline in the flash file is very small and has few assets on it. By having greater control over the exact order content was generated in we were able to streamline the loading order in many areas without having to extend the timeline or rely on timeline based tweens or dead space. We were also able to reuse much of the code, further reducing the overall files size of the project.

      • We took load order into account when adding more bandwidth and processor intensive assets to the project, for example on the index page, rather than sharing the bandwidth among the gallery content, the full background video, and music files, the site doesn’t initialize loading the video and music assets until the gallery is loaded. Accessibility to the information was our top priority, if that information is good enough the user will be around long enough to see the flashier aspects of the site as well.

      • Server side bandwidth controls, on a slow connection the music player was bringing the site to a halt whenever it started to cache a new song. To side step this problem the flash site posts the song file information to a PHP file which restricts the download speed to 16Kbps leaving a 4Kb buffer over what the song needs to play, but preventing a 2MB mp3 from hogging all the site bandwidth.

      • Much of the content of the site is populated by ActionScript loops, by writing these loops to be as effective as possible we were able to increase overall load times of galleries

      • Processor usage and Memory Leaks. Some aspects of our site had potential for high processor usage and memory leaks, however by actively managing what assets were enabled in the website at any given time we were able to strike a balance between file size and processor demand we were able to keep the system resource footprint of our site relatively low compared to similar websites.

  • Public bookmarking has become a powerful and effective way to get a website noticed so we decided that lacking that support was not an option, this also pushed us to write a much more advanced URL handling system than the one included in the SWFAddress project. This new handling system allows the site to dynamically generate unique links to newly added content keeping our dynamic content source files much more manageable and easily updatable.

  • Intelligent resizing, the site gives priority to certain elements and will attempt to keep them within the viewable area as long as possible when the browser window is resized, lower priority elements dynamically moved and the centering and scaling scheme is modified based on the current window size.

    Search Engine optimization was something that we intended to include from the start, and luckily SWFAddress comes with a good platform to do this from. Some aspects of the platform were modified to handle our different URL management system as well as much more dynamic SEO abilities.

    The entire site runs off index.php however .htaccess rewrites the URL header to reflect the current location in the website. Due to this, any static meta tag information we set in the index.php file would be repeated on every single page of the site, negatively effecting search engine rank. To overcome this we replaced the static information with PHP function calls which would determine what content was showing and update the Meta tags to match.

  • SWFAddress also writes the contents of its data file to the index page as html so that anyone viewing the page without flash player or JavaScript can still view the exact same content as is in the flash site.

    All links in this no JavaScript mode will link to the proper flash page once JavaScript is enabled, this means any links a Search Engine crawls will link to the same section in the flash site.

  • Benefits of this site include
    - Fast and easy updating of content from anywhere in the world.
    - User friendly, intuitive navigation that brings the user to the information they want
    - Search Engine optimized
    - All the power of flash without losing any functionality or benefits of an html site.

Thursday, April 03, 2008

Recent Video and Flash Design Work

Video Production

Trifecta Wine Video

Like a good wine, this concept was well aged. Over the course of a year or so, the Trifecta Wine commercial was conceived, written, shot and edited. The final result, we think, is as sweet as the private reserve Napa Valley Cabernet Sauvignon it features.

This entire spot was shot at 60 frames per second in HD resolution with an M2, 35 millimeter lens adapter from Redrock Micro and Nikon glass. The copy for the spot was specifically written for the amazing voice of South African Patrick Willis, which goes down just as smooth as a bottle of 2004 Trifecta.

view video

Flash Website Design

Secure Technologies

Our newest Flash site, for Pennsylvania based home technology provider STI uses some great features including dynamically populated content, SEO - friendly Flash content and deeplinking.

The services of STI include home theatre design, security, automation, lighting design and structured wiring for homes and businesses. The site needed to be not only informative, but also appeal to a high-end client looking for a particularly tech-savvy company. STIworldwide.com does just that.

view website

Take the "Fake or Foto” Challenge

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Today we're presented with images in movies, on TV, and in the press that are of such good quality we don't even think to consider whether the picture is of something that exists in reality or if it was generated by computer software. Movies can be considered as being at the high-end of the range of uses for computer generated imagery that mimics real-life, but there are many more day-to-day examples that challenge our ability to tell what's real and what's not.

3D rendering and visualization is an affordable technology for quickly and realistically depicting products or architecture visually. When a product, program, or concept is still in its early stages 3D rendering can be used to create compelling imagery to tell the story. Besides being great for marketing, 3D visualization saves prototyping time and expense, and it lets users see physical conditions not obvious in 2D. Read More..

Autodesk recently used a few of our renders for their “Fake or Foto” Challenge. Spend a few minutes with our reality check and see if you can tell the difference...

Friday, November 30, 2007

Del Padre Visual Sees Red

It’s been a while since we have been in touch with an update. Things have been crazy busy! I hate to dump all this on you at once but I want to share some of the exciting projects we have had the opportunity to work on for the last few months and introduce you to an exciting new technology that has to be the most important innovation in digital video to date and we are thrilled to be able to offer it to our clients.

We worked on two videos to be shown at the Paris Air Show for Barnes Aerospace and Hamilton Sundstrand during the summer. Our friends at Proficient Audio have been keeping us busy, working on a group of videos to introduce their new products at the 2007 CEDIA show. You can view the videos here on the new Video Dashboard that we just completed.

Mark and Joe had a chance to shoot video for long-time collaborator Brad McLain, on a “zero-gravity" aircraft flight that creates temporary weightlessness. NASA has used this method to train its astronauts for the last 45 years and it's the same way Tom Hanks floated in Apollo 13.

 Weightless Flights of Discovery program
The Northrop Grumman Foundation has teamed with the Zero Gravity Corporation to develop the Weightless Flights of Discovery program. The program is designed to inspire students to pursue science and technical careers by inspiring their teachers first. DVP's footage will be included in a documentary McLain Science Education is creating about the program.

Nino was an in-studio guest on The Howard Stern Show for the Riley Martin site we launched in June. Riley Martin is a well-known author and radio host. Martin is the author of The Coming of Tan, a book that describes his life and his alleged abduction by aliens. He currently hosts The Riley Martin Show on the Sirius Satellite Radio channel Howard 101 and Artisfirst Radio Network.Nino Del Padre, Eric “Eron” McCauley and Howard Stern.
We just started a three year project for the Space Science Institute. STEPS (Science Theater Education Programming System) is funded by a grant from the National Science Foundation. When completed, STEPS will allow museums across the country to create multimedia presentations that will be shown in their museum theatres with an estimated target audience of over one million viewers in the first 5 years.


Now for the exciting new revolutionary technology that I mentioned.

RED Digital Cinema
RED ONE
It's called The Red One Camera. And ours is on the way. To say this camera is groundbreaking would be an understatement. Here's some background.

When James Jannard, the billionaire founder of the eyewear and apparel company Oakley, set out to create a new video camera with a 4K sensor that rivals the definition of 35mm film and image quality that exceeds anything else available today, everyone said it couldn’t be done. After all if the big boys like Sony and Panasonic only produce cameras with maximum resolution of 1920X 1080 pixels how would a sunglass maker create a camera with a 4520 X 2540 resolution? Compare that to the super high end 2K Genesis and Viper cameras that many feature films are being shot on. The difference is four times the resolution (see chart below).

Resolution Chart
Well after 5 years and a lot of public bashing that this is and always will be “Vaporware” the cameras are finally shipping. Well kind off at least. They have been taking reservations for the camera for years and only 100 have been shipped so far. We should get our hands on ours in June. The Red One Camera is the future of Cinematography.

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color subsampled video at up to 30fps. Red delivers 12M pixels at up to 60fps and records RAW, or 2x over-sampled HD in 4:4:4 or 4:2:2. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. With the Mysterium™ Super 35mm cine sized (24.4 x 13.7mm) sensor, RED gives you the same breathtaking Depth of Field and selective focus as found in film cameras. Mysterium™ boasts a greater than 66db Signal to Noise Ratio thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

One of the first real field tests came from recruiting veteran filmmaker, Peter Jackson to test two RED camera prototypes named “Boris” and “Natasha.” The result was a film called Crossing the Line. Here’s a clip.

Steven Soderbergh, director and cinematographer of Ocean's Eleven, Traffic, and Solaris, said "This is the camera I've been waiting for my whole career: jaw-dropping imagery recorded onboard a camera light enough to hold with one hand...I know this: RED is going to change everything."

Soderbergh’s making two new movies (Guerrilla and The Argentine) with it; the upcoming Angelina Jolie assassin-fest “Wanted” was shot with it and, from the trailer, looks visually amazing…

What this means to you is that your corporate video or television commercial will look more like a major motion picture or a national TV spot .

RED Digital Cinema Camera

Monday, July 23, 2007

Nino Del Padre and Riley Martin guests on Howard Stern Show

Del Padre Visual Productions president appeared as an in studio guest with Riley Martin on the Howard Stern Show on July 17, 2007. Riley and Nino where on the show to promote Martin’s new website www.rileymartin.com that Del Padre created along with new products including the popular Riley Martin Talking Bobblehead.

Howard himself was impressed with the new website design “I went on rileymartin.com the other day and it is some website, there is a film on there that is quite good, it’s very big. It makes Riley out to be Superman” said Stern. “You did a great job on the website, congratulations” Stern said to Nino Del Padre.

Nino Del Padre, Eric “Eron” McCauley and Howard Stern.
Nino Del Padre, Eric “Eron” McCauley and Howard Stern.

Eric “Eron” McCauley, Riley Martin and Nino Del Padre.
Eric “Eron” McCauley, Riley Martin and Nino Del Padre.

Stern show co-host Fred Norris was also excited about the new website “Did you look at the new website? It looks like a fu**ing motion picture screening, it’s unbelievable!” Norris said to Gary Dell'Abate on the wrap-up show.

The Riley Martin Web site and e-commerce projects were first lauded on "Howard Stern News" after a one-page introduction of the site, rileymartin.tv, went live. Del Padre took the project on himself, creating a dynamic teaser that blends video and Flash animation and resembles a movie trailer.

Nino Del Padre, Robin Quivers, Victor “X” and Riley Martin.
Nino Del Padre, Robin Quivers, Victor “X” and Riley Martin.

The site features other products produced by DVP, including an audio book of Martin's novel, The Coming of Tan, as well as a Riley Martin ringtones, and talking bobbleheads. Riley Martin merchandise including t-shirts, mugs, and bumper stickers is also available for sale on the site.

Martin is one of the Stern show's more colorful characters. He is the author of "The Coming of Tan." His television and radio appearances on national programs including Coast to Coast AM, Jerry Springer, and London, England's Resonance 104.4 have earned Martin a cult following and a place in pop culture history.

Nino Del Padre, Ronnie “The Limo Driver” Mund and Riley Martin.
Nino Del Padre, Ronnie “The Limo Driver” Mund and Riley Martin.

Thursday, June 07, 2007

DVP Shoots Riley Martin Video

Riley Martin

Riley Martin is a New Jersey resident, a former sharecropper, and a true believer in the knowledge he  accrued during an alien abduction several years ago.

He's also a regular on The Howard Stern Show, and he's amassed plenty of fans in recent years -- some because they enjoy his stories of extraterrestrial jaunts, and others because they've heard the Riley Martin prank calls on Stern.

Riley Martin

It's not so much of a logic jump as it seems; Martin has, over the years and through various T.V. and radio appearances, parlayed his space-travel induced visions for the future into a marketing vehicle that is chugging nicely along. DVP signed on to produce his new Web site, and saw their own site's hits skyrocket shortly after its launch, which also garnered some praise and valuable air time on Howard Stern News.


Riley Martin

Martin visited DVP to record portions of the audio version of his book, The Coming of Tan, and to add a few new components to his merchandising repertoire. In addition to the book, t-shirts, and other items, DVP also produced some Riley Martin ringtones and outgoing answering machine messages.  We shot Riley on green screen for videos that will be featured on http://www.rileymartin.com/

Saturday, May 05, 2007

New Riley Martin site featured on the Howard Stern show.

The new Riley Martin website that we have been working on was featured on the Howard Stern Show this week. The Howard 100 news team said "Rileymartin.tv, you've got to check it out. Somebody creating what's billed as the Official Riley Martin site and doing one heck of a job on the design of the introduction"

Featuring information on The Coming Of Tan Audio Book, Riley Martin Symbols, Riley Martin Show Archives, Howard Stern Parodies and video downloads. Official Riley Martin merchandise including t-shirts, mugs, bumper stickers and much more coming soon.

Stay tuned to Howard 100 for an exclusive news story about the new site next week. Check out the site for yourself at http://www.rileymartin.com/ and be sure to sign up for news updates!